This is the ultimate grande dame of Thai curries.
On the one hand, it's so simple to make that it's made almost weekly in Thai households. On the other hand, simply because of that everyone, their mother, their grandmother, their dead great-grandmother and her long-dead ancestors have an opinion about it!
(Read the post about food and identity to understand this phenomenon.)
That having been said, the dish is easy to make casually but extarordinarily hard to make expertly.
It's hard for the same reason that chefs routinely test novices with making an omelette, or that you end up skating naked making certain Italian dishes.
You're using a minimal set of ingredients, and there's no place to hide. Either you nail it or you don't, and if you don't, there's no way to fix it.
It's the ultimate test of technique. It's doubly hard for those of us who didn't grow up with a Thai grandmother beating us up while we were learning. We're going to have to take our beatings the ol'-fashioned way via experience.
What is it?
It's a simple water-based "sour" curry that's really quite "primitive" (to use David Thompson's description) in which vegetables and fish are simmered. It's served with rice (of course!)
There are only five ingredients that matter - chillies (which are emphatically not Thai but New World), garlic, shallots, shrimp paste, and tamarind.
There are also ingredients that will "balance" it - e.g. palm sugar, etc.
All the magic is in the paste which takes a bit of effort with a mortar and pestle. Thai curries simply don't work with food processors. You need to pound the ingredients. (The neighbors rang the bell to check that everything was OK since the sound of pounding wafted out the kitchen window. It sure was, kids, it sure was!)
For the record, it's harder to pound soft ingredients into the right consistency than hard ingredients. This one is filled with soft ingredients — garlic and shallots.
If you persist, and the CC is sure that the readers on this blog are the kind that would do so, you'll be rewarded with sheer magnificence. Everything that is so wonderful about Thai food distilled down into one elegant minimalist package.
Ingredients
Paste
2 tbsp dried shrimp
4-6 long red chilies
3 red shallots
3 cloves garlic
1 tsp shrimp paste
2 cups water
tamarind water (thin)
vegetables
fish
fish sauce (nahm pla) to taste
palm sugar (optional)
Note 1: The kinds of vegetables you can add varies. Long beans are classic as are bamboo shoots, or raw papaya but the CC has seen modern stuff like cauliflower, cabbage, etc.
Note 2: The village roots of this dish should be "obvious".
Note 3: There is a relatively modern variation that plonks in a square-piece of cha-om omelette. Cha-om is going to be impossible to find outside of California. It has a strongly sulfurous smell exactly like that of kala namak in Indian food. The texture is not dissimilar to samphire. If you're feeling particularly flush with money, the combination would do the trick. Otherwise substitute a bitter green and kala namak for a rough approximation.
Note 4: You still need to make the square "omelettes". Cook them thick with egg in a pan like a frittata. Flip, cook the other side. Cool and cut into squares. (They should be quite dry since you're going to plop them into a curry.)
Note 5: This is not a "fancy" dish. All the crazy caveats aside, this is closer to the fast and the furious. You should be able to make it in at most 30 minutes if you get all your ingredients in a row.
Note 6: There is considerable warfare even among the Thai population about how "thin" the curry should be. The CC is going to stay out of this particular "Vietnam".
Note 7: Side dish. The ultimate test of serving Asian food. Keep it simple. The dish is spicy hence sliced cucumbers.
Note 8: You need a fish broth ideally. David Thompson suggests pounding some dried shrimp as the first step of the recipe. Works like a charm. Instant "fish broth" as the deeply dead great-great-great-grandmother would've understood and appreciated.
Note 9: The "correct" sequence of pounding is the driest hardest first to softest wettest last. This just makes it easy to do the pounding. In this case, it would be dried shrimp, soaked chilies, garlic, shallots. and finally shrimp paste.
Recipe
First make the tamarind water. Soak the lump of tamarind in 1/2 cup of boiling water for 20 minutes. Strain it squeezing the tamarind. You can do this directly into the boiling water later.
Soak the separately chilies in boiling water for the same 20 minutes. Pull out the chilies. Reserve the water to add to the broth.
Roast the dried shrimp briefly on a skillet. Put aside. On the same skillet, roast the shrimp paste wrapped in aluminum foil. Flip and keep roasting until it gives off its characteristic smell. Be careful not to burn it.
(These first three steps can clearly be done in parallel.)
Start making the paste. Pound the dried shrimp followed by the chilies, the garlic, and the shallots. Add the roasted shrimp paste and make a smooth paste.
Combine the stock, tamarind water and paste and bring to a boil. Add fish sauce to taste. Add some palm sugar to balance the flavors. Let it simmer for 4-5 minutes.
It should taste hot, sour and salty.
Add the vegetables and let them cook through. Add the fish and let it poach for 2-3 minutes.
Serve at once with rice.
Showing posts with label black salt. Show all posts
Showing posts with label black salt. Show all posts
Wednesday, September 28, 2016
Tuesday, December 10, 2013
Black Salt (Kala Namak)
There are many things in life that are acquired tastes.
Nobody was ever born liking beer (bitter because of the hops) or liking either red wine or tea (astringent and bitter because of the tannins.) Every culture has a characteristic item (or ten) that you are going to have to come to terms with if you really want to enjoy the food.
Japanese food has natto. Indian food has kala namak.
(Chinese has all the gristly bits but that's for a different post.)
Kala namak is just salt which contains a number of impurities including greigite (Fe3S4) and sodium sulfate (Na2SO4.)
It was traditionally fired in a kiln with charcoal but no air and the reductive process created multiple sulfides which gave it the characteristic smell,. The greigite gives it the characteristic black/violet color (which changes to mauve when ground up.)
The CC cannot sugar-coat this part. It smells like rotten eggs or the sewer. We associate this smell with dirt and rottenness because of the hydrogen sulfide produced by the salt in the presence of air. (You may remember the smell of hydrogen sulfide from your chemistry class.)
However, a vast number of Indian recipes would simply be incomplete without this ingredient. It forms a crucial lynchpin in the sweet-savory-spicy-salty spectrum. The smell and sour taste is inimitable.
The CC has increasingly seen chefs use it in restaurants. Most notable was as a topping on a foie gras terrine. The smell was unmistakable and the salt cut through the fat perfectly as was intended.
Nobody was ever born liking beer (bitter because of the hops) or liking either red wine or tea (astringent and bitter because of the tannins.) Every culture has a characteristic item (or ten) that you are going to have to come to terms with if you really want to enjoy the food.
Japanese food has natto. Indian food has kala namak.
(Chinese has all the gristly bits but that's for a different post.)
Kala namak is just salt which contains a number of impurities including greigite (Fe3S4) and sodium sulfate (Na2SO4.)
It was traditionally fired in a kiln with charcoal but no air and the reductive process created multiple sulfides which gave it the characteristic smell,. The greigite gives it the characteristic black/violet color (which changes to mauve when ground up.)
The CC cannot sugar-coat this part. It smells like rotten eggs or the sewer. We associate this smell with dirt and rottenness because of the hydrogen sulfide produced by the salt in the presence of air. (You may remember the smell of hydrogen sulfide from your chemistry class.)
However, a vast number of Indian recipes would simply be incomplete without this ingredient. It forms a crucial lynchpin in the sweet-savory-spicy-salty spectrum. The smell and sour taste is inimitable.
The CC has increasingly seen chefs use it in restaurants. Most notable was as a topping on a foie gras terrine. The smell was unmistakable and the salt cut through the fat perfectly as was intended.
Labels:
black salt,
indian,
ingredient,
salt
Sunday, May 2, 2010
Kala Namak
This is the ultimate love-it-or-hate-it thing about Indian street food. It's "black salt" which is really purplish-gray in color.
It is basically salt with trace amounts of iron sulphide which give it the color and the faint smell of hydrogen sulphide. To put it differently, it smells like the gutter, and there's no way to put this politely, ripe farts. It's an acquired taste. To those that acquire it, it's like crack-cocaine. To those that don't, you're missing out. Big-time!
The CC is addicted, needless to say.
This is not going to be the greatest advertisement for this product but those who are addicted probably know what the CC is talking about. You can't live without it!
It is basically salt with trace amounts of iron sulphide which give it the color and the faint smell of hydrogen sulphide. To put it differently, it smells like the gutter, and there's no way to put this politely, ripe farts. It's an acquired taste. To those that acquire it, it's like crack-cocaine. To those that don't, you're missing out. Big-time!
The CC is addicted, needless to say.
This is not going to be the greatest advertisement for this product but those who are addicted probably know what the CC is talking about. You can't live without it!
Labels:
black salt,
indian
Tuesday, October 27, 2009
Vinaigrette of the Gods
Three simple things - fig vinegar, hazelnut oil, and kala namak (Indian black salt.)
Yes, yes, you can thank the CC later!
Yes, yes, you can thank the CC later!
Labels:
black salt,
fig vinegar,
hazelnut oil,
salads,
salt,
vinaigrette
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