Showing posts with label linguistics. Show all posts
Showing posts with label linguistics. Show all posts

Saturday, October 27, 2018

The Spicy Alcohol Burn

It's always entertaining to learn some brand new linguistic content.

Historically, the Japanese adjective for spicy -- karai (辛い) -- didn't mean spicy as we understand it now.

It referred to the burn of raw alcohol as it went down your throat. By extension to pain in general and hence to the relatively modern concept of spicy.

Both mustard and horseradish are 辛い because they have that "burn".

A smooth alcohol without that raw burn wouldn't be characterized as such.

Such linguistic terms are interesting. The CC referred to the conceptual category of "smooth" which only makes sense in English but in Japanese it would be "sweet".

Monday, July 28, 2014

The Naming of Dishes

How are dishes named? What are the mechanisms by which they get the name?

The CC is going to talk about naming but only within the context of "traditional" dishes. "Traditional" is a loaded word and chefs these days give all kinds of fanciful names (which is also traditional) but we'll keep it relatively well-known.

The classification of naming depends on the language in question but the type of structures are definitely universal in that there are similar ideas in every cuisine.

Descriptive Names

This is the easiest category and also the largest. This describes the vast majority of dishes in almost all cuisines. The titles are self-descriptive and anyone who understands the grammar of a specific cuisine could with high probability just reproduce the dish without even looking at a recipe.

Fanciful Names 1 (Metaphor)

The older the cuisine and the greater the level of Imperial involvement, the greater the chance you are going to have metaphors do the heavy lifting for the dish.

The Japanese tatsuta age (竜田揚げ) refers to the river "tatsuta" where the leaves in autumn float down all brown and beautiful presumably. The dish is diced chicken deep-fried. Presumably the brown-ness of the perfectly fried chicken is the correlative.

Chinese cuisine (especially of the Imperial derivation) is particularly adept at this level of poetic metaphor. It's extremely hard to know what the dish is even if you read Mandarin fluently. If you already don't know the answer, you are not going to figure out that "desert boat sails on greens" refers to "camel's foot with hearts of rape".

The Japanese oyako don (親子丼) refers to "parent and child in donburi (bowl)". The parent is the chicken and the child is the egg. It's a rice dish topped with chicken and eggs.

We as a species have been this for a while.

Distilled alcohol in Latin is acqua vitae ("water of life"). Then translated into Gaelic we got uisce beatha which when rendered in English became whisky. (That's how the first word is pronounced.)

Lest this sound all too poetic for words, let us observe that even the "Bloomin' Onion" falls under this category.

Fanciful Names 2 (Euphemism)

Rocky Mountain Oysters.  (Prairie oysters in Canada.)

They are fried bull calf testicles with the obvious parallel to fried oysters. The euphemism makes the dish go down easy (pun intended!)

Chicken feet are "phoenix claws" in Chinese. Bottarga refers to the dried and salted ovaries of the red mullet.

And restaurants regularly feature squab because few people would eat it if it just said young pigeon which is exactly what it is.

One of the most common ways euphemism is executed is by substituting a foreign word or phrase for a concept that would be unpalatable locally. Escargots (French) instead of snails. Calamari (Italian) instead of squid. Boudin noir (French - black sausage) instead of "blood sausage", etc.

Euphemism is a large part of human food naming. It's pretty global. We find new and innovative ways to disguise certain blunt truths about our omnivorous eating habits.

Fanciful Names 3 (Alliteration)

We humans are suckers for alliteration. This is one of the figures of speech that exists in almost every language in the world.

The examples are endless — Rump Roast, Crispy Chicken, etc.

This concept goes hand in hand with the next one — that of onomatopoeia. Rendering the sound is nice but adding in the alliteration (typically via repetition) makes the name of the dish really memorable.

Fanciful Names 4 (Onomatopoeia)

The CC's favorite example is that of biángbiáng noodles from China's Shaanxi province. The kanji for "biáng" is not even standard. It refers to the slapping sound of the dough on the table when the noodles are made in the traditional way.
Another example is the Japanese shabu-shabu (swish-swish). This is Japanese hot-pot where you cook the meat and vegetables yourself in the hot boiling broth at your table. The "swish" refers to the sound that you make while swirling your food in the broth while it's cooking. (Note the importance of onomatopoeia because while shabu-shabu refers to the food just mere shabu is Japanese street slang for heroin. You don't want to confuse the two.)

Fanciful Names 5 (Parallel Association)

The dish Carpaccio specifically referred to raw beef because the paper-thin slices of raw beef resembled the pinks used by the painter Vittore Carpaccio. It only dates to about the 1950's when refrigeration made serving of raw beef possible. The origin is from Harry's Bar in Venice.

Today it refers to any thinly shaved meat or vegetable. Hence you have "tuna carpaccio" and "salmon carpaccio" and "zucchini carpaccio" even though the colors have nothing to do with it any more.

The association jumped from the color to the thinness of the shaving of the ingredient.

This sort of association is a weak form of metonymy in which the concept got so strongly linked to some aspect of the original dish that it jumped out as a generic descriptor.

Country Names

As a general rule, if the dish contains the name of its own country, it's origin is likely to be somewhere else.

This is counter-intuitive at first but logical on closer examination. You don't need to label something as "native" if it were actually native in the first place. Only if you wish to convince someone that something from the "outside" is really "inside" then you go about naming it after your own country.

Pad Thai is emphatically not Thai. The stir-fried noodle dish is unambiguously Chinese in origin even though the sauces and tastes are very much Thai. The government was heavily involved in promoting this dish as "Thai" in the 1930's and 40's.

Local Names

This is the wild card in this list. It could go either way.

Buffalo Wings probably did originate in the city of Buffalo. The Black Forest Cake is an English translation of the German Schwarzwälder Kirschtorte. (Note: The German does refer to the "Black Forest" but it's also more precise that it's a cherry torte. The original dish is using a metaphor of the Forest for the black chocolate but the English treats it like a place of origin which it is not.)

Worcestershire Sauce is almost definitely not from Worcestershire. There's a bit of dubious branding (read below) going on. It's based on the ancient Roman garum (fish sauce).

Baked Alaska was invented in New York at the famous Delmonico's in 1876 to commemorate the acquisition of the territory.

And the various "chowders" floating around the East Coast originated no more locally than the CC originated in Siberia. They are all variants of ancient cooking styles even if the strong regionalization is a matter of preference and tradition.

Personalities

This list is really endless particularly in the 19th century. Flattering your patron whether it's a king, the king's courtiers, or the modern day version - movie stars is always good business even if the idea is mostly recycled.

The list can either be of the originator (Caesar Salad, Fettuccine Alfredo - see next section on "branding") or that of the some famous personality - mostly opera and movie stars (Peach Melba, Melba Toast, Turkey Tetrazzini).

The famous Auguste Escoffier, codifier of French haute cuisine was a master at this game and he learnt it from his teacher Marie-Antoine Carême. He played this game shamelessly with everyone from kings to composers to theater personalities (the movie stars of their day).

Please note modern day examples like the "Shirley Temple" and the "Baby Ruth" candy bar.

Branding

This is largely a 20th-century American thing but it would be remiss not to mention it even if just in passing.

Brands have entire units to promote their ingredients. Everything from Coca Cola to Heinz have entire research units pumping out recipes for their ingredients and have had them for at least the last 70 years. The purpose is to "support" the brand. Examples abound.

This is not limited to companies. The "Can" in Canola oil refers to Canada. It didn't sell very well as rapeseed oil ("raped oil" anyone?) but when they changed the name euphemistically to the country that was promoting it, it became popular and then generic. That's what it's called all over the world now. (Note: Canola didn't originate in Canada. The rule of countries applies. They just branded it.)

Conclusion

Do dish names matter? The CC would argue that they do.

A great dish with a memorable name will turn into a classic. Even a so-so dish with a catchy name has a great shot.

Just like rhyme and assonance gives a sort of memorability to poetry, the same set of rules lend a mystique and power to the names of dishes. It has more to do with humans and language that it has to do with cuisine but it's just as important.

Monday, July 21, 2014

Pigs in English

It's pretty astonishing how many animal words in English are derived from pig — hedgehog, guinea pig, porcupine (thorny pig), porpoise (pork fish). warthog, aardvark (earth pig).

Thursday, February 6, 2014

The Polyglotism of a Chef

If you truly want to be a great chef, you are going to have to be really good at picking up languages and cookbooks in those languages.

This is both insanely difficult and yet not as hard as you think.

Arabic and Japanese are fairly difficult languages particularly for people trained in the Indo-European tradition. (The same goes in reverse. No chauvinism is either intended or even entertained.) And learning a language is hard no matter what since it takes time and energy both of which are in finite supply.

There's a silver lining though. Cooking is a fairly narrow and technical subject and it's easy to master narrow and technical matter in almost any language given a little aptitude, a ton of work, and the usual panoply of modern-day tools.

The payoff is stupendous beyond belief.

Let's first talk about the two adjectives stated above — narrow and technical.

Cooking is narrow because we do not need to understand the full massive vocabulary of a language that pertains to all the various kinds of situations we could ever possibly encounter in our lives. We only need to know the names of food items and instruments (nouns), how much of the food (cardinal or weight measurements), what things to do to the food (verbs) and how long to do it to them (time measurements).

This is a very narrow amount of vocabulary.

You are not being asked to master linguistic flourishes, idiomatic phrases, or cultural complexity just a very straightforward act of doing things to other things in so much size for so much length of time with prescribed patterns that are insanely repetitive. (Any good cook with a solid knowledge of the grammar of a culture is surely bored silly with reading a recipe book. You read the ingredients not the recipe! The CC can scan almost any recipe is less than ten seconds unless it is suitably complex which happens increasingly less often as time goes by).

Technical refers to the fact that the basics of cooking are (mostly) the same in any language. Just learn the verbs and a few oddball quirks of verbs — do they take direct objects or not, some dative and genitive cases, the conditional constructions ("if, when") — and you're pretty much there.

There are not a lot of verbs because there is not a whole lot you can do. About 30 verbs gets you 90% of the way there and surely you can manage to memorize all the forms in any language which should be around 125-ish (if that). Also, you are not being asked to conjugate the verbs in all their complexity just read them. The CC is pretty sure that he would be hard-pressed to conjugate "bake" in multiple languages but he damn sure can read the recipe which, as sure as sunshine, calls for some "baking". (Comprehension is not the same thing as fluency.)

Technical also refers to the fact that a recipe written in Japanese follows the absolute same rock-solid pattern as one written in Italian. The structure of the format is perfectly predictable. It follows a very strict pattern of logic — ingredients followed by process (with the rare exception of notes for complicated stuff or variants to be made.) In addition, the process always consists of verbs in the imperative mood. ("Do X. Take Y. Mix P with Q. Bake for N minutes.").

There is very little linguistic legerdemain. ("If only X had procured P from Q, and had Y not intervened then Z might have been able to bring A to B's office for a tête-à-tête").

Nope, never happens in a cookbook. Not in the recipe section anyway. That's strictly for the gossip column or the pseudo-literary bullshit that accompanies a cookbook.

Which brings us to the payoff.

The payoff is that you can read cookbooks that are vastly more complex than those that show up in translation in English, or that are historical in nature of which there will never be an English translation. The best cookbooks have always been written for natives and while it is increasingly true that these "best" cookbooks nearly always have an English translation, this is by no means a law of nature. It's a commercial decision and these things have a tendency to drift towards the capriciousness of both editors and the market.

The Internet additionally opens you up to recipes written in all the languages in the world. There are blogs on just about any culture but you will need to be able to read it at least roughly. (The automated translators are a little "iffy" even at this point.)

All of this depends naturally on your level of commitment to the culinary arts and to languages as a whole and there may be a natural tendency to think, "Why do it? The CC is there to translate." to which the CC only can say, "You have no idea of how little makes its way to the blog."

So push your culinary linguistic boundaries outwards and watch your culinary skills strengthen!

Tuesday, January 28, 2014

Mexican Chili Linguistics

The art of Mexican cooking depends on understanding the chili landscape but you really need to know the various names. One of the problems is that the same chili has different names depending on whether it is dried or not.

This makes logical sense in a cuisine where the chili is so fundamental to the cuisine but it's a hurdle to people who are just learning it.

So the CC is just going to do a "brain dump" of all the names for various peppers.
Fresh Dried
Poblano Ancho
Jalapeño Chipotle
Mirasol Guajillo
Pasilla Negro
Puya (Pulla)    Puya
There's more but that will do for starters.

† Be warned that sometimes Ancho's are labeled as Pasilla's in Mexican markets. However, they are nothing alike. Pasilla's are long and thin and Ancho's large and fat. Think Laurel & Hardy (respectively) and you won't go wrong.

Sunday, January 13, 2013

Beans, Good Ol' Beans

Everyone here knows that the CC is crazy about them (both fresh and dried) and that he adores them with a passion only rivalling his love for anchovies.

However, how many know that the famous Roman surnames are actually derived from beans? (Possibly, their families made their fortunes in the bean agricultural trade.)

Cicero is derived from chickpeas (modern-day Italian: cece/ceci.) Fabius refers to fava beans (modern-day Italian: fava/fave.)

Lentulus should be self-evident, and Piso refers to peas (pisello/piselli.)

Saturday, February 12, 2011

Sa-Shi-Su-Se-So

Eh?

No, the CC hasn't lost his marbles. At least not yet!

These are the horizontal letters of the Japanese alphabet in the "s" row, and they stand for the order in which to add ingredients when simmering vegetables in dashi (which the Japanese do a lot!)

satō - sugar (typically in the form of mirin)
shio - salt
su - vinegar
seyu / shōyu - soy sauce
miso - miso

Okay, they cheat a little with the shōyu to fit it into the scheme but we'll just call it cute. and let it slide.

There's a sorta logic to it. The sugar requires time to get absorbed (larger molecules) so it needs to go in there first. And the miso gets in there last because it really shouldn't be overcooked. The rest is a just a cutesy mnemonic to remember it all.

Kawaii!!!

Tuesday, December 21, 2010

Japanese Food Confusion

While shabu-shabu which is onamatopoeic meaning swish-swish, refers to Japanese hot pot where you dip the vegetables, thinly-sliced meat, and seafood in hot broth, and consume it, shabu itself is slang for heroin.

Best not to confuse the two.

Tuesday, February 16, 2010

Tamarind Etymology

The fruit and the taste are well known enough. Less well known is the etymology.

The Arabs encountered it first, and found they visually resembled dates (tamr). Hence, tamr-al-hind (dates of Hind = India.)

From there on to Latin - tamarindus and tamarind in English.

The botanical name is tamarindus indica which would equate to "dates of india from india".

Shades of Major Major Major Major?

Monday, December 7, 2009

Poetic Linguistics

Oyako don is a donburi (Japanese rice bowl dish) made with chicken, rice and a scrambled egg on top.

oya = parent
ko = child

oyako = parent and child

The chicken is the parent and the egg is the child.

Wednesday, July 29, 2009

Six-Packs (the abs, darling, not the beer!)

In French, they are les tablettes de chocolat, consumption of which will definitely not lead to the desired result.

Saturday, July 22, 2006

Eye Candy

I've been informed that Mexican slang for the above is un taco de ojo.

As in tacos made with meat from the eyes of a cow.

Nifty, eh?