The CC is absolutely obsessed with collecting recipe books that date back to the late-60's and early-to-mid 70's.
Why the 70's?
It's the first transformation of many of these societies into the modern consumer world and it set off a wave of rather "naïve" cookbook writers almost all women who were documenting the recipes of an earlier age.
The naïveté shouldn't be taken as a pejorative. It's actually a compliment. They were literally writing down what they knew without any filter. These are really amazing documents.
These cookbooks have been updated but they have never been bettered. They are actually the source of inspiration to most modern cookbook writers who all down to a fault refuse to acknowledge the immense amount of ideas that they have nakedly stolen from these earlier writers.
The CC is always collecting these things as he travels. (They tend to be rather cheap.)
There are a few commonalities which are just extraordinary.
One is that they all tend to be obsessed with a level of precision. It is very important to them that the reader make the dish perfectly. The instructions tend to be rather precise and detailed. (This, of course, just warms the cockles of the CC's cold analytical heart.)
The other is how they were marketed. Not through the traditional channels. Often via "nail salons" or "beauty parlors" which was the domain of women. It was word-of-mouth and viral marketing at its earliest and finest.
The third is the primitiveness of the publishing industry at the time. They are frequently published in indifferent editions. Pictures are rare. The print is not glossy. The binding is falling apart. Spelling mistakes abound. However, the passion just jumps off the page!
The fourth is a level of awareness of nutrition. It's not the modern gluten-free fat-free version but they are rather interested in the fact that in an era where budgets are tight that the food not only be delicious but also nutritious.
Last but not least is the obsession with the pineapple. No, the CC is not joking. Hawaii only became a US state on Aug 21st, 1959. There was a massive global marketing campaign to sell pineapple across the world. You can see the obsession everywhere from Life Magazine to newspapers and magazines in all the corners of the world. Think "Mad Men". These women were not exempt from the pull of the siren song. Rest assured that there will be a recipe or three for pineapple in these books!
The CC has had plenty of books go in and out of his kitchen but you will take these books out of his cold dead hands!
Here's an extraordinarily incomplete list — roughly going westwards:
Middle-East
Arto der Haroutunian (Middle-East at large)
Afghanistan
Helen Saberi
India
Tarla Dalal (Gujarati vegetarian)
Ummi Abdulla (Kerala Muslim)
Joyce Fernandes (Goan)
Kamalabai Ogale (Maharashtrian)
S. Meenakshi Ammal (Tamil vegetarian)
Katy Dalal (Parsi)
Minakshie Das Gupta (Bengali)
Sri Lanka
Chandra Dissanayake
Taiwan
Fu Mei-Pei
Philippines
Enriqueta David-Perez
Caribbean
Babette de Rozières
Showing posts with label pineapples. Show all posts
Showing posts with label pineapples. Show all posts
Wednesday, May 17, 2017
That 70's Show
Labels:
afghani,
bengali,
caribbean,
cookbook,
feminism,
goan,
gujarati,
indian,
kerala,
maharastrian,
middle eastern,
parsi,
pineapples,
sri lankan,
taiwanese,
tamil nadu,
united states,
vintage,
women
Thursday, July 30, 2009
Food and Social Class
One of the greatest descriptions of the relationship of food to mores and social class is undoubtedly the description of Madame Bovary encountering the dining room at the ball given by the Marquis in Flaubert's masterpiece.
What is left unstated is just as important as what is shown.
Emma's shock realization that many of the women had not put their gloves in their glasses (the conventional way for women to notify the servers that they were abstemious in the consumption of wine) is a show-stopper for her - the idea that women of a certain social rank would publicly consume wine is unthinkable to the petit bourgeois society that she is a product of.
What is left unstated is just as important as what is shown.
Emma's shock realization that many of the women had not put their gloves in their glasses (the conventional way for women to notify the servers that they were abstemious in the consumption of wine) is a show-stopper for her - the idea that women of a certain social rank would publicly consume wine is unthinkable to the petit bourgeois society that she is a product of.
The Marquis opened the drawing room door; one of the ladies (the Marchioness herself) came to meet Emma. She made her sit down by her on an ottoman, and began talking to her as amicably as if she had known her a long time. She was a woman of about forty, with fine shoulders, a hook nose, a drawling voice, and on this evening she wore over her brown hair a simple guipure fichu that fell in a point at the back. A fair young woman sat in a high-backed chair in a corner; and gentlemen with flowers in their buttonholes were talking to ladies round the fire.
At seven dinner was served. The men, who were in the majority, sat down at the first table in the vestibule; the ladies at the second in the dining room with the Marquis and Marchioness.
Emma, on entering, felt herself wrapped round by the warm air, a blending of the perfume of flowers and of the fine linen, of the fumes of the viands, and the odour of the truffles. The silver dish covers reflected the lighted wax candles in the candelabra, the cut crystal covered with light steam reflected from one to the other pale rays; bouquets were placed in a row the whole length of the table; and in the large-bordered plates each napkin, arranged after the fashion of a bishop's mitre, held between its two gaping folds a small oval shaped roll. The red claws of lobsters hung over the dishes; rich fruit in open baskets was piled up on moss; there were quails in their plumage; smoke was rising; and in silk stockings, knee-breeches, white cravat, and frilled shirt, the steward, grave as a judge, offering ready carved dishes between the shoulders of the guests, with a touch of the spoon gave you the piece chosen. On the large stove of porcelain inlaid with copper baguettes the statue of a woman, draped to the chin, gazed motionless on the room full of life.
Madame Bovary noticed that many ladies had not put their gloves in their glasses.
But at the upper end of the table, alone amongst all these women, bent over his full plate, and his napkin tied round his neck like a child, an old man sat eating, letting drops of gravy drip from his mouth. His eyes were bloodshot, and he wore a little queue tied with black ribbon. He was the Marquis's father-in-law, the old Duke de Laverdiere, once on a time favourite of the Count d'Artois, in the days of the Vaudreuil hunting-parties at the Marquis de Conflans', and had been, it was said, the lover of Queen Marie Antoinette, between Monsieur de Coigny and Monsieur de Lauzun. He had lived a life of noisy debauch, full of duels, bets, elopements; he had squandered his fortune and frightened all his family. A servant behind his chair named aloud to him in his ear the dishes that he pointed to stammering, and constantly Emma's eyes turned involuntarily to this old man with hanging lips, as to something extraordinary. He had lived at court and slept in the bed of queens! Iced champagne was poured out. Emma shivered all over as she felt it cold in her mouth. She had never seen pomegranates nor tasted pineapples. The powdered sugar even seemed to her whiter and finer than elsewhere.
Labels:
french,
literature,
lobsters,
pineapples,
pomegranates,
quails,
truffles
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