The Spicy Alcohol Burn

It's always entertaining to learn some brand new linguistic content.

Historically, the Japanese adjective for spicy -- karai (辛い) -- didn't mean spicy as we understand it now.

It referred to the burn of raw alcohol as it went down your throat. By extension to pain in general and hence to the relatively modern concept of spicy.

Both mustard and horseradish are 辛い because they have that "burn".

A smooth alcohol without that raw burn wouldn't be characterized as such.

Such linguistic terms are interesting. The CC referred to the conceptual category of "smooth" which only makes sense in English but in Japanese it would be "sweet".

Constructing a Meal

(This article was written earlier but Blogger has a rather annoying "auto-save" feature and the article got deleted. The CC had to rewrite it from scratch.)

One of the things that perennially bugs the CC is that neither home chefs nor professional chefs give any insight whatsoever into how a meal is actually constructed.

This has something fundamentally to do with the "recipe" format of cookbooks. One really needs an entirely alternate model that works at the meal level.

Cookbooks also rely on the entirely unreliable fact that people just magically absorb knowledge by "osmosis" and "culture". Both of these seem to be demonstrably false assertions. Since one is not always granted the luxury of an Italian nonna or an Japanese obaachan and since kids are not born knowing complex culinary logic when yanked from the womb, one is left with the inescapable conclusion that all knowledge is learned.

That means one should be able to both teach it and learn it.

The CC is going to use himself as an example.

The only thing planned before the Saturday was that the meal would be Japanese and it would feature some form of clams - either asari gohan (= あさりご飯 = clam rice) or asari no miso dashijiru (= あさり味噌汁, clam miso soup.)

The CC arrived at the farmers' market on a frigid Saturday morning only to find that most of the vendors were missing. It was already turning into a disaster.

Thankfully there was one vegetable vendor and the fishmonger was around.

Cauliflowers were obtained (purple, romanesco) as were some carrots. The CC noted that he had exactly two Italian flat beans and two cherry tomatoes at home. This was going to be a tricky operation.

The CC noted that there were no scallions at home and none at the market neither. However, he did have some homemade furikake already prepared. That put paid to the idea of the asari gohan (because of the black furikake) and hence it was going to the be the clams with miso soup.

(Note how we rarely make decisions. They are made for us already.)

Luckily, the CC still had one of the last of the late summer cucumbers so a quick sunomono (vinegar pickle) was added to the mix. The CC still had some pickled ginger in his cabinet. The vegetables were steamed and combined with a modified tare sauce that the CC just loves. The dish can be made ahead of time and is actually better at room temperature rather than warm.

The CC needed a fifth dish (rice doesn't count) and he had carrots so he made the classic quick stir-fried dish with carrots and hijiki.

The meal follows the entirely Japanese principles of washoku (= 和食) — there are five vegetables of different colors, five methods, five tastes, etc.

The rules above might have a Japanese origin but they are not laws of nature. They are just an excellent set of rules-of-thumb to ensure nutritional completeness and stave away boredom. The CC finds himself using the rules even if he's making a classically French dinner or an Indian one.

Dinner is served.

Five autumn vegetables with modified "tare" sauce
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Clam miso soup
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Cucumber sunomono
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Sweet-sour hijiki
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Pickled white ginger
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White rice with furikake

Japanese Dinner

Tuna croquettes (マグロのコロッケ)
♥
Baby potatoes fried in duck-fat with gomashio ♥ Truffled foie gras
♦ ♦ ♦
Oyako Don (親子丼)
♥
Miso soup with acorn squash & ginger
♥
Greens with calamansi vinaigrette
♥
Homemade Japanese pickles — carrot; watermelon radish; ginger ♥
Winter vegetables in tare sauce.

Happy Thanksgiving!

The CC was "traditional" — American, Filipino, French, Indian, Italian, Japanese. (Thai couldn't make it sadly.)

Lamb chops with rosemary & anchovies
♥
Brussel Sprouts with parmesan & pomegranates
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Stuffing with chestnuts & sage
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Champagne with pomegranates
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"Fruit Salad" with apples, tangelos, pomegranates

Sri Lankan Fish Patties (Malu Paan)

One of the great things about "fusion" cooking is how seamless it can actually be.

Canned tuna is not exactly the most exotic of ingredients. It's quite boring and bourgeois and very middle-American. We're just going to use Sri Lankan magic to amp it up a few notches.

There's nothing new about Sri Lankan spices either. They're all there in India but it's the combinations that are new and as the CC has pointed out endlessly, this is just a combinatorial game.

You're most likely to encounter this stuff as "fish cutlets" — the mixture is deep-fried. However, a little dig underneath the surface and you see it also as "fish patties" and "fish rolls" and "fish balls".

There's also the ubiquitous malu paan which is the same fish filling inside a bread that is baked.

For the record, the paan is from the Portuguese pão and is the same as the Japanese パン (pan), the Filipino pandesal (bread with salt), and the Indian paav (a much more accurate transcription of pão.) The Portuguese spread the cult of yeasty bread baking all along South-East Asia.

What matters, of course, is the filling at the center of these concepts.

All the CC has done is to take the patties and stick them in a burger bun (which is vastly simpler) and achieves the same purpose.

Dinner is served.

Ingredients

1 tsp cumin seeds
1 tsp coriander seeds
1/2 tsp fennel seeds

1 tsp black pepper

1 sprig curry leaves
1 piece of fresh turmeric (or 1 tsp ground turmeric)
1" ginger
4-5 green chilis

2 large potatoes
1 can tuna

1 medium-sized onion (diced finely)

cilantro (finely chopped)
1 lime

salt (to taste)

Note 1: The combination of cumin, coriander, and fennel in the ratio 2:2:1 along with ground turmeric is often used in Sri Lankan cooking particularly in dishes involving fish. It gives it that characteristic "Sri Lankan" taste.

Note 2: While this mixture is freely available in Sri Lanka pre-made, the CC assumes that the majority of the audience will not have access to this. Also, if you're going to add black pepper to the final mix, you might as well grind it all together.

Note 3: Fresh turmeric adds a complexity that ground turmeric simply doesn't. The CC vastly prefers the former but feel free to use the later.

Recipe

Grind the spices to a fine powder.

Grind the ginger, green chilis, and turmeric to a paste. (If you grind the spices in a mortar and pestle, you can do this in the same step.)

Boil the potatoes in water until tender. Peel and mash gently.

Heat some oil in a pan. Add the diced onions and curry leaves and fry for a bit until the onions have softened. Add the spices and ground paste and fry till the raw smell has dissipated. Roughly 2 minutes.

Add the tuna from the can and break it up. Let it cook for 4-5 minutes. Add the boiled potatoes and mix it all well together.

(If you are going to deep-fry into "fish balls", make it drier than normal. Otherwise it should be wet enough to form into patties.)

Dump the whole stuff into a bowl. Let it cool for a bit. Pick out the curry leaves and discard. (They don't do this in Sri Lanka but then the leaves there are more tender than the ones found here.)

Add the chopped cilantro and the juice of one lime and crush gently using a potato masher. Mix and check for salt.

To make the patties, you can just either pan-fry them with some oil (which is the way the CC prefers) or for a fancier richer taste, do the same after an egg-wash and coated with breadcrumbs.

Three-Culture Octopus

The CC briefly worked at a job whose main redeeming feature was the absolutely killer Korean grocery store across the street. The store was always crowded any time of the day or night with the stock continuously being refreshed since it was small in that New York-kinda way.

One of the "features" was that they almost always had baby octopus for purchase and it was extremely cheap. (It was frozen and then thawed but given the rather tough nature of octopus in general, this was a feature not a flaw.)

This recipe pulls out all the stops from three cuisines to make a completely elegant meal.

The CC generally serves it with a vegetable-heavy side dish like mixed vegetables in vinaigrette but he's also served it with a cauliflower gratin successfully. You could also make a great pasta out of it.

What are the tricks?

First make a light dashi. In this, dump carrots, onions and black peppercorns à la française and poach the baby octopus until tender.

(You can store the octopus in the fridge after this for a few days after this step. It allows you to scale. Never let it be said that CC doesn't adore convenience like the rest of the world!)

Finally, stir-fry it with anchovies and tomato paste quickly at the last minute and serve.

Why do the tricks work?

Firstly — umami.

Secondly, the poaching with carrots and onions gives it this sweetness that is not possible just otherwise. (It also allows you to scale effortlessly. As easy to cook for eight as it is for two.)

Finally, the anchovies and tomato paste add even more umami to the mix.

Ingredients

(serves 4)

16-20 baby octopus(es)^†

1 small piece konbu

1 small carrot
1 small onion
1 tbsp black peppercorns
salt

1 anchovy
1 tbsp tomato paste
olive oil

Note: Frequently, the octopus is called to be poached using red wine. The tannins in the wine definitely give it a specific taste and structure and the wine-water azeotrope lowers the boiling point in the fish-cooking style. However, the CC finds the final product to be less flexible as far as adopting it to different ideas afterwards so he skips it.

Recipe

Heat up some water with the konbu. Right before it comes to boil, remove the konbu (otherwise it will turn bitter.) Add the carrots, onions, black peppercorns, and salt, and bring to a simmer.

Add the baby octopus and cook until tender. Roughly 25 minutes. The CC sometimes stops it early if he wants the octopus to have more of a bite. (This really is personal preference.)

Fish out the octopus and set aside.

(You can filter the broth and store it for later use. Discard the solids.)

Heat up some olive oil in a skillet. Add the anchovy and fry for a bit. Add the tomato paste and fry until it gives off an aroma. Add the octopus and fry for about 3-4 minutes. Serve.

---

† The plural of octopus is octopuses or since it's derived from the Greek — octopodi. It is not under any circumstance octopii since it's not a Latin word (like radius) but a Greek one. Thank you!

A French Summer Lunch Menu

Inspired by my recent Paris trip, here's summer lunch à la Provençale.

Consommé à la japonais aux légumes d'été
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Bulots froides avec aïoli aux herbes
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Rouille du pêcheur In translation:

"Dashi" with summer vegetables
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Whelks with chive aioli
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Octopus and new potatoes with "rouille"

Anna Gosetti della Salda

Anna Gosetti della Salda (1918-2011) was an extraordinary woman.

She published the ultimate book of regional Italian recipes, Le Ricette Regionali Italiane, that is the mainstay of Italian cooks everywhere. Even Michelin-starred chefs in Italy go into rhapsody when talking about this book.

First published in 1967, it's never been out of print (current edition: 17th, 2001.) It was printed out of her own publishing house of whose catalog it's the sole item. She has never authorized a translation.

She made a "small concession" in 2002 allowing a pronunciation guide in Japanese to be added as an insert because "if they were going to go to all that trouble to learn Italian, she would help."

It's 1206 pages long nearly 5 lbs featuring 2174 recipes — 13 are "base recipes" (e.g. besciamella = bechamél.)

She made four arduous trips up and down the "Italian boot" in the days when such trips were absurdly difficult. She did it as a single woman (never married) and she was adamant about having her own way in everything from the fonts to the paper to the illustrations.

It's a product of a singular mind which admits no compromises.

The regions of Italy are organized in the order that a theoretical motorist could actually traverse them. They form a Hamiltonian Path which warms the cockles of the CC's mathematical heart. (The two island regions of Sicily and Sardinia come last.)

There is no table of contents — in her own words, "Why have it when the indices are perfect?"

Indeed the indices are perfect. All 116 pages of them. Each recipe is numbered. There are two indices organized by "region" and "analytics" (theme/topic). There's a meta-index of one page that tells you where to go find the indexes. The end of each of the regional indices has a excellent curated list of the "wine types" of that region. The cross-indexing admits no mistakes.

The paper is deliberately yellow (to indicate "old school" yellowing) and the illustrations are black and white line drawings. (Her initial career was in advertising. She opened her own agency. The book was published when she was nearly 50!)

Each recipe not only has exact details (tested, of course) but also any regional and family variants.

Even though the CC speaks no Italian, he can handle recipes in the language — limited vocabulary and content;  context makes things "obvious". The illustrations help. You are left in no doubt whatsoever about what the recipe entails.

The CC's favorite part is an excerpt from an interview she gave when she was nearly 90, "I recently read the book one more time, very carefully, just to find out what new criticisms I might have. I'm my most severe critic, yet I can't help admitting I did such a good job. I looked deeply into every recipe and technique; there's no room for superficiality in my work. If I were to start again I would do just as I have."

The book is just a staggering masterpiece.

The Amazing Edible Seaweed

What classic vegetarian combination resembles seafood so strongly that it acts as a stand in? Would it help if the CC provided the clue that this is the one thing that the Japanese and the Welsh have in common?

The answer is  nori — "laver" in English but today, everyone just refers to it by its Japanese name.

The combination of nori and soy sauce is legendary. It rivals other classic combinations for sheer force because it ticks off all the right notes — salty, umami, seafood-y except that it is vegetarian.

Years ago, when talk of radioactive "dirty bombs" were all the rage in New York, people at the CC's dinner party were talking about stockpiling "iodine pills". The CC just scoffed, "Just come over. I'll cook with nori. That's got more iodine in a sheet than any pill." The CC stands by that statement. If you're gonna die, you might as well have a good time doing it.

It's also very "Japanese". The combination of nori and soy sauce over rice is one of the most-frequently requested items on bento boxes. Apparently, it's so "alien" that non-Japanese can't appreciate it. The first time the CC ordered it, the delivery boy claimed that the CC must've made a mistake and couldn't possibly have ordered this dish. After the CC told him to "fuck off!" in extraordinarily polite Japanese (= "does your head hurt?" = "are you stupid?"), he was charmed. Broad grins ensued as exemplified by the classic bonding moment of bumping fists. Such is the beauty of swearing in a foreign language as done in the context of a genuine appreciation of food.

Nori Tsukudani (海苔佃煮)

Ingredients

10 sheets nori

1 cup dashi

1/4 cup soy sauce
1/4 cup sake
3 tbsp rice vinegar
2 tbsp mirin

sesame seeds/sesame oil (only when serving)

Note 1: This is like a pickle or a preserve, You can make it fresh but it will last for a long time because of "osmotic pressure" and salt. The Japanese would just make a small batch and leave the rest in the fridge for later.

Note 2: This is seriously intense. A small portion goes a very long way. You'd place a small amount on top of a mound of white rice. It's a classic breakfast "power dish".

Note 3: The sesame or sesame oil are added at the last minute. You need one or the other for nutritional reasons. The CC prefers the seeds. They're easier to store.

Recipe

Tear the nori into rough pieces. It doesn't matter much. Just cut it into squares if that's faster.

Bring the dashi to a boil. Add the nori and let it cook down. When the water is almost gone, add the rest of the ingredients and continue to cook until the liquid is almost gone.

It will last for a long time in the fridge. (You can halve this recipe too.)

Nori Sumashijiru (海苔すまし汁)

Ingredients

4 sheets nori

3 cups ichiban dashi
soy sauce
mirin

Note 1: The "home-style" recipe often contains a scrambled egg. It's then "nori tamago sumashijiru".

Note 2: If you've forgotten ichiban dashi (literally: first dashi) is the stuff that is made first. It should be completely clear which is part of the charm. The crystal clear broth contrasting with the black seaweed.

Note 3:  Ideally, you should use clear soy sauce for this as well. It's a visual thing. The CC assumes nobody here has it so just go ahead and use the regular stuff. Call it "home cooking" rather than "fancy cooking" and be done with it.

Recipe

Oh, the recipe?

It's trivial.

Shred the nori. Heat the dashi. Mix and serve immediately.

Nori no Furikake (海苔の振り掛け)

Ingredients

4 sheets nori

1 tbsp sesame seeds
kosher salt

Note 1: This is rather painful and intense to do in a mortar and pestle but the coffee grinder makes mince out of it. You'll just have to do your best.

Note 2: The first time the CC made it for a friend, he was like, "This would be so amazing on popcorn." — "Yes, my good friend, yes, it would!"

Note 3: It's traditionally a sprinkle on "boring" white rice.

Recipe

Pound the nori and the salt in a mortar and pestle. This is just painful painful work. It takes forever.

When crushed "sufficiently", add the sesame seeds and pound some more.

It stores forever in a tightly sealed container and ironically, it's easier to make in large quantities than in small ones.

Soy Me Up, Soy me Down!

There are soy sauces and there are soy sauces but they are neither equivalent nor substitutes.

Historically, soy sauce arose in China but it spread across South-East Asia and then the world. As it spread, the production became local and its irresistible umami flavors were tweaked to local tastes.

That means that Chinese, Japanese and Thai soy sauces (just to use three as an example) are totally different. Even within a single culture there are multiple kinds of soy sauce that have different end uses. This parallels the equally different kinds of fish sauce each tweaked to local tastes.

The CC can hear the screams from the peanut gallery already.

"You mean to say, that I must now stock different kinds of soy sauces?!? Are you nuts?"

Sadly yes.

If you want to get the right flavors then yes, and yes the CC is nuts. (Not much doubt, was there?)

The point about the "right" flavor is made most memorably in one of the episodes of the serialized food manga Oishinbo (美味しんぼ).

The name is a portmanteau word between oishii (= 美味しい, delicious) and kuishinbou (= 食いしん坊, glutton). On the one hand, the manga has a simple format which is important in a serialized format just like a sit-com, which is why it ran for 30+ years, but it's so heavy-handed and Oedipal that Freud might have objected!

However, it's both excellent and makes important points. At one point, the father upstages the son by making the same dish with the same ingredients but using Chinese soy sauces rather than the equivalent Japanese versions because the dish is of Chinese-Japanese origin not truly Japanese. (As stated, heavy-handed but still with a point.)

If you choose to engage in this journey, these are not expensive products and they store indefinitely in a cool and dark environment so it's not as big a burden as it sounds.

How many can you get away with at the bare minimum?

The CC is guessing between four and six — two for Thai food, one or two for Japanese, and one to two for Chinese. More if you want to cook Indo-Chinese or Filipino.

Sorry.

Just don't shoot the messenger.

Pickles

It's not well known but the CC is crazy about pickles.

Broadly speaking, the world of pickles is divided into two kinds — acid-based and oil-based.

This has everything to do with botulism which is a bacterium that grows in the absence of oxygen. You need some technical chops to make oil-based pickles.

Acid-based pickles are vastly easier. Firstly, the acid prevents the growth of bacteria in the first place, and secondly, they're just tastier by the CC's taste buds. So life is easy for the CC.

The CC has grown up with pickles. He used to make them routinely as a kid with his grandmother and his great-grandmother (!) growing up. Looking back, it seems painfully clear that the grandmother wasn't that particularly interested in them. She continued for a few years after her mother died but that tapered pretty quickly. The family was even less interested which leaves the CC as the sole flag-bearer. And so it goes.

Except for the absolutely amazingly awesome green-peppercorn and lime pickles, the CC doesn't care for any of them. (They were mostly oil-based. Except the one that the CC likes. Hence the bias.)

The Indians and the Japanese have an vast tradition of pickling. (Other cultures obviously do too but the CC is just pointing this out as a compare-and-contrast.)

It's quite extraordinary. It was much more needed in the Japanese case because of the short growing season. It was completely unnecessary in the Indian case but the CC assumes they just loved the taste?

Fast forward to the modern world and the Japanese have an amazing device that allows you to make pickles without mistakes. It's just a plastic doo-hickey that presses down. It serves two purposes. It allows you to keep the vegetables below the water line, and if necessary, it presses down to allow vegetables to release their juices.

It works like a charm.

The absolutely simplest pickle involves just three ingredients — four, if you count water.

It's called 塩漬け (shiozuke - salted pickles.) The konbu and the salt combine to add a magical umami to the final product. Salt lowers the pH. They are acid-pickles in all but name.

The firmer the ingredient, the easier it is. It's pure magic with such things as the stalks of rainbow chard or watermelon rind.

Theoretically, the hard stalks of kale or broccoli should work but the brassica family simply doesn't taste that great. The CC has tried it. It basically sucks. Let it go.

These pickles are best eaten within three to seven days because the ingredients will continue to soften but you want that crunch!

Ingredients

rainbow chard stalks
4 tbsp salt
2 small cuts of konbu

boiling water

Recipe

Cut and wash the stalks. In a clean sterile container, layer the konbu followed by the stalks. Top with the salt.

Pour boiling water all over it. Figure out a way to make sure that the ingredients stay below the water line.

Ready in three days.

The Dark Side of Food

One of the most important concepts associated with food is that it is pretty much the only activity that we do daily. There's also shitting but that's the end result of eating.

We eat to live. Literally. Our bodies are just a mechanism by which food gets transformed into fuel for our brain.

Every other activity that we do daily is basically optional but not eating.

There are many consequences to this simple observation. We'll proceed from the relatively trivial to the relatively profound.

No, your mother's version of that dish is not the "best". It's not even "typical". It's probably even shit. Let's start with that.

It's just something you ate on a daily basis and hence established the basis on which you rest your (very shaky) foundation of food. You may even perpetuate that because it's the only thing that you know. If you want to break out of the arbitrariness of your birth, and it is extraordinarily hard to do so, then you must first accept this brutal fact.

Did you notice that the CC referred to your mother's cooking as "shit"?

Notice how the metaphor neatly connects to food. We work symbolically through food. Everything from "no free lunch" to "corny" to "sour grapes" to "dish fit for the gods" — Shakespeare made the last one up as he did also "salad days", "in a pickle" and "the milk of human kindness".

There are literally no languages that don't have wondrous phrases related to food. It's so elemental that it's taken for granted. Everything from "essere buono come il pane" ("to be as good as bread" = "as good as gold") to 羊頭狗肉 ("sheep's head, dog meat" = "false advertising".)

Since eating is literally the only mandatory activity that we do, it goes without surprise that it's the ideal mechanism of enforcing group conformity.

There are absolutely no religions in the world that don't have a mandatory taboo on some form of eating. Judaism has kosher laws, the various religions in India have strange forms of vegetarianism, Christianity imposed rules of eating on Fridays, etc.

Needless to say this is all bullshit. Humans are famously omnivore. What one group eschews another embraces. The Chinese would laugh at the Jews. The meat-eaters mock the vegetarians. Fish on Fridays? Please.

Notice the bullshit metaphor also works via food. The only thing worse than your own shit would be the shit of a bull.

These rules have nothing to do with food and everything to do with enforcing group identity. You define yourself not only by what you are but also but what you are not.

The group identity mechanism works via what the Japanese would call  内外 ("uchi-soto" = "inside-outside"). Follow the food rules and you're an insider. Don't and you will be brutally excommunicated.

Lest you think that this mechanism is "religious" in nature, the CC will be happy to pontificate.

Try arguing barbecue in the US. There's great barbecue everywhere from Virginia to South Carolina to Kentucky to Texas. However, none of these groups agree with each other. Everyone seems to think their own version is the "best" — an entirely laughable notion that any outsider (like the CC!) might care to disabuse them of. They're all great; they are just different.

So you see, your mother's version of that dish is not the "best". It's your own fierce form of enforcing identity. You are sticking by what little you know and even if your mother is a terrific cook, you are trying futilely to convince others that it is food fit for the gods.

The most famous example of this "food as identity" enforcement was the Spanish Reconquista — the re-establishment of Christian rule in Spain. The Arabs and the Jews were forced at sword-point to eat pork in public as proof of their "conversion" to Christianity. The Spanish then took their concept to the Philippines which had no particular ban on pork and hence turned the pig into a newly formed "religion".

The great ramen maker, Momofuku Ando, neatly also turned these religious identity rules to his advantage by casually observing that there was no religion in the world that didn't embrace the chicken. The first ramen noodle flavor was chicken. (He wasn't particularly interested in the vegetarians.)

Which brings us to the fact that vegetarianism is another example of an entirely post-facto-rationalized system erected on extraordinarily shaky foundations.

Humans are omnivorous. We will literally eat anything which you can plainly observe because what one country or ethnic group rejects, another will happily eat. Since they all can't be right and they're all equally human, it stands to reason that they all must be wrong.

Science backs it up in spades. We are omnivorous, and we definitely evolved because of our capacity to eat meat. Arthur Clarke famously points this out in 2001: A Space Odyssey and Kubrick gives this profound notion the utmost respect by filming it most memorably with a magnificent jump-cut.

We even have specialized meat receptors in our stomachs. Evolution at its finest. It gave us a powerful concentrated source of fuel and pushed our brains to much larger sizes.

Is there a point to this depressing discourse which is almost tailor-made to offend just about everyone? Why yes, there most certainly is.

If you really want to get to understand another culture, the ideal mechanism is through its food. Not only will you be wearing a different identity, it will make it far easier to discard your own. Discarding your identity is not for the weak. You will be left adrift and will be forced to fend on your own. The group enforcement mechanism will kick in dressed in full riot gear.

However, it's one of the few ways to throw off the arbitrariness of your birth (which you had no choice over) and get to enter into entirely new mindsets.

When phrased like that, you're looking at the greatest adventure in life. Needless to say, it's highly recommended.

Mugi Gohan (Barley Rice)

The CC is insanely fond of this dish.

This is the ultimate "poor people" dish in Japan and even today there's a slight disdain towards it.

Historically peasants paid rice as taxes in the feudal era. They had a tendency to hide stuff from the authorities — tax evasion is as old as mankind! — a point memorably made in Kurosawa's The Seven Samurai (七人の侍). The peasants frequently mixed other grains that were not taxed to their cooked rice — barley, millet, etc. which contributes to their "lower class status". Ironically, this is why the they  never suffered from beri beri but the upper classes did.

It was also served as army rations and today is often served in school lunches, all of which add up the reasons that it is really resented.

Which is too bad because it's freakin' awesome!

Since the CC has no associations with it, the CC is free to love it. It has texture, nutrition, lack of boredom (white rice?), flavor and chewiness.

Ingredients

1/2 cup barley
1 cup rice

3 cups dashi (or water)
salt

Recipe

Note 1: The only "trick" is that the barley needs to be soaked ahead of time for 30 minutes so that they can be cooked together.

Note 2: You can vary the proportions. More barley, less rice, etc. This is the median that the CC likes.

Note 3: Use dashi if you can.

Soak the barley for 30 minutes. Rinse the rice under cold water until it runs clear. Let it sit for about 10-15 minutes.

Put all the ingredients in an open pot. Cook until the rice is done. Depending on the humidity you may need to add a little more water at the end.

Hiyashi Tan-Tan ((冷やしたんたん)

One of the wondrous things about ramen is that it gives Japanese chefs full freedom to explore creativity outside the traditional norms of washoku. It allows them to escape the "wa" (和) of the washoku (和食) — the "Japanese-ness" of meal formats, rules, etc.

Every culture has some escape pod by which they can break the rules and are no longer subject to the dictates of "traditional culture". You need a release mechanism for creativity and rebellion.

Ramen is unambiguously Chinese and hence "foreign" however the Japanese have adapted it, refined it, and taken it to great heights. In the spirit of experimentation, it's not unusual to find "Thai Ramen" and "Indian Ramen" and "Italian Seafood Ramen", etc. in Tokyo. Any number of tricks from other cuisines are amenable as long as they ultimately get integrated into the ramen format.

The CC first ate the dish at a restaurant near his former workplace. It's a riff on a riff on a riff.

The owner of the restaurant is Burmese who ran away to Japan, lived there for a decade, and in spite of marrying Japanese, was unable to get a permanent visa. The couple opted for "life, liberty and happiness" and Japan's loss is New York's gain.

Tan-tan men is a variation on the classic Sichuanese dan-dan mian (担担面) — the spicy-tingly noodles with ground pork, pickled vegetables, and chili oil.

The Japanese version sticks to the idea broadly. It somehow got caught up with the very Sichuanese doubanjiang (辣豆瓣酱) possibly because its umami is very similar to miso.

So the ground pork is stir-fried with ginger, garlic, scallions and toban jan (as it's called in Japanese) until you have a loose dry mixture.

The ramen noodles are topped with an intense pork broth, the spicy ground pork mixture, slivered scallions, etc. This is a broad idea. The specifics depend on the creativity of each chef. You'd probably find slivered cucumbers or bean sprouts. It may be topped with rayu (chili oil.) It all depends.

Ramen, being served piping hot is cold weather food. Japan has blistering summers and a history of a lack of air-conditioning. The very hot weather dish, hiyashi chūka, featured here often is a response to that.

Hiyashi tan-tan is the bastard love child of hiyashi chūka and tan-tan men as conceived by a Burmese entrepreneur trained in Japan to satiate the ramen-crazy Yankees in a blistering New York summer.

What could be cooler than that?

There are some elegant subtle melodies inside it that make it sing.

Traditional ramen is frequently made with stock made from pork bones. It has a milky-white color.

The stock here is much lighter as befits a summer dish. Seafood-based or chicken-based which has been hit with a solid amount of sesame paste. Traditional Japanese sesame powder (gomashio) is made with roasted sesame seeds and has a brownish color. This one is clearly made with unroasted ones which gives the broth the same intense milky-white color. The CC strongly suspects that the restauranteur is just using tahini thus introducing a Middle-Eastern ingredient. It's New York, after all. Why not?

The advantage of cold-ingredients pre-prepared to a restaurant should be obvious but one of the complete non-negotiables is that the ramen has to be made fresh. You can dunk it in ice-water to cool it down but it must be freshly made.

Since the recipe clearly has diverged so far from its roots, such as they are, the CC feels absolutely no shame in diverging further. It would almost be regretful to stick to the format. The pork has been subbed by ground seafood (non-traditional) and bamboo shoots (absolutely traditional.) The cucumbers and scallions are retained in the summer heat.

It's the beauty of ramen. Within the broad tradition, as Cole Porter might have put it, "Anything goes".


Ingredients

(serves 2)

Dashi

2 pieces kombu
4 cups water
1/2 cup dried shrimp (or bonito flakes or both)

1/3 cup sesame seeds

Ground Pork

1/2" ginger
2 cloves garlic
1 tbsp toban jan
1 tbsp soy sauce
sugar (to balance)
peanut oil

1/2 cup ground pork (or ground seafood or ground chicken)
1/2 cup bamboo shoots

2 packages ramen

cucumber
carrots
scallions

sesame oil

Recipe

Note 1: Once the sesame paste is stirred into the cool broth, you cannot reheat it again. The broth and paste will separate which will destroy the texture. It must have its ice-cold white texture.

Note 2: Mound the pile of the ground pork mixture in the center. The toppings should be to the side. Yes, this is "only" aesthetics but it really goes a long way to emphasizing the cold-hot nature of the dish. The spicy pork with the ice-cold ingredients. It will all turn red-gold once you start slurping.

Note 3: If you have time, soak the sesame seeds in water. Don't worry too much about this step. You can always loosen the sesame paste with the dashi you make.

Note 4: The whole recipe is eminently scalable and can be made ahead of time. Except the ramen. They must be made fresh. You'll probably learn the hard way the science behind this step.

Note 5: It takes a while to chill all the ingredients especially the broth. Maybe the CC's fridge is crappy but it took more than 6 hours to get it down to the right temperature.

First, make the dashi. Heat up the kombu with the water. Just before the water boils, fish the kombu out and discard. If you don't do it, the broth will turn bitter. Add the dried shrimp/dried anchovies/bonito flakes and bring to a loose boil. Let it steep for at least 15 minutes. Pass the broth through a double layer of paper towels. You should be left with a clear golden broth.

Meanwhile, take the soaked sesame seeds and grind them to a fine paste in a mortar and pestle. Add some of the above dashi if you need to loosen the paste. Add the paste to the dashi and add salt. Set aside and let it chill.

Cut up the cucumber, carrots, scallions into long very thin batons of the same size and set aside to chill.

Make the ground pork mixture. Smash up the ginger and garlic in a mortar and pestle to a paste. Heat up some peanut oil in a skillet. When shimmering, add the ginger-garlic paste. Fry for a bit. Add the toban jan and fry for a little bit. Add the ground pork, soy sauce and sugar and let it cook until it is dry. You will probably need to add 2-3 tbsp of water to make sure it doesn't burn. Add the bamboo shoots towards the end. Take off the heat and cool. You can store this for a few days. Chill it.

When ready to serve, make the ramen. The ones the CC has require 2.5 minutes. Immediately dunk in an ice bath.

Top the ramen with the chilled dashi. Put the ground pork mixture in the center. The cut up scallions, carrots and cucumbers to the side.

(You can add sesame oil but that's gilding the lily.)

Slurp the intense icy awesomeness.

Sopa de Almejas (Clam Soup)

There is this wonderful Peruvian restaurant in Connecticut that the CC has been visiting for more than a decade. It makes a killer sopa de almejas.

Since the restaurant is a bit of a hike for the CC, he always ends up ordering the soup — rather than the other possibly amazing dishes — and he's never disappointed. It's served with some bread (at best, average) and some amazing homemade aji criollo.

However, it's the soup that really sings and the CC has been trying to reproduce it ever since.

At long last — it only took a decade — he's untangled the various strands and made it for himself, and it's exactly as killer.

There were several hidden problems that needed to be solved. One was that the soup came with this emulsified broth with a very deep taste. Inside it were placed four or five rather large clams. Finely chopped cilantro was sprinkled on the top. The broth had no solids but it had an intense flavor. There was a reasonable amount of oil in the broth like all restaurants. However, this turned out to be a red herring. There were more important things at play.

Some things were really obvious. There was a lot of tomato purée in the broth. There were the deep notes of black pepper. It was clear it was some kind of fish broth. It also had a very deep cilantro flavor that could not be coming from the tiny amount of stuff sprinkled on top.

The other clue was the price point on the menu. It was one of the cheapest items, and the serving was large enough for a very good lunch. Now, clams are rather cheap on the Eastern seaboard but they're not that cheap so that means the ingredients inside the broth had to be cheaper. (The CC considered the possibility that they were using commercial clam juice but the taste of the broth had a subtle fresh flavor so it didn't seem very likely.)

Other clues. The clams were served on the half-shell and were very juicy. They could not have been cooked with the broth, and they were too plump to have been sitting in there for too long.

Two other important clues.

The dish always took a little longer to serve than other dishes (when the CC went with friends) and the surprising one —  the broth was served piping hot. It was served almost at boiling point (close to 90-95°C.) When the broth cooled down, the soup didn't taste as good. Clearly, the temperature mattered greatly.

Peruvian cuisine is the ultimate mashup — besides the indigenous Incan origin, it's had Spanish, Italian, Chinese, West African and particularly Japanese influences.

It was clear that the broth had tons of umami but once again the price-point was critical. They may have been using MSG but it was being done with a light hand.

The critical insight is that this was a cheap restaurant surviving on very low margins. Nothing could be wasted. There were shrimp on the menu and they were clearly buying them whole. The broth was being made with the shrimp heads and the shells. They are the source of the resonant thumping flavor. Also, the broth clearly had onions and garlic and tons of black pepper and cilantro. However, after the broth being made, it was being filtered and solids pressed and tossed out. Then the clams were being shucked, and cooked in the broth, and whole thing brought to the table piping hot. They were also generous with salt.

Why did the temperature matter?

The CC is not completely sure but it seems plausible that the bitter notes of the cilantro and the pepper were dominating at lower temperatures. When hot, you just got the heady hit of the salt and umami from the broth and the tomatoes.

Sopa de Almejas

Note 1: The clams that the CC gets are the standard East Coast clams. The giant ones are easier to find up in Connecticut, Massachusetts & Maine. This doesn't matter as much. They were definitely using local stuff not Manila clams, etc.

Note 2: The salt in this recipe is really crucial. You need to add a teeny bit more than you think completely rational. The CC added salt to the boiling broth until it tasted "correct". It was a lot more than he expected. It will not be the same without.

Note 3: Unless you have shrimp heads and shells in your freezer, the clear substitute would be dried shrimp. You will also need some kombu unless you plan to add MSG. Not going to work otherwise.

Note 4: As ridiculous as this sounds, it's better with crusty bread that has been wrapped for about 6-8 hours in foil so that it goes just slightly limp from the exhalation of the moisture from the starch. The CC is perfectly aware that this is anal retentiveness^† of the highest order.

Note 5: The broth really needs to be at a boil. The CC is not kidding.

Ingredients

(serves 2)

1 dozen clams

2 tbsp oil
1 small onion (diced fine)
6-8 cloves of garlic (chopped)
4-6 tbsp tomato purée
1 piece kombu
1/4 cup dried shrimp
1/4 cup dried anchovies (if you have them)
1/3 cup diced cilantro (stems and all)
3 tbsp coarsely ground black pepper
4 cups water
salt

finely chopped cilantro leaves (to serve)

Recipe

First make the dashi.

Bring the water to the boil with the kombu. Right before the water boils, remove it and discard. If you don't do this, the broth will turn bitter. Toss in the shrimp and anchovies and let it boil for about 7-8 minutes. Skim the nasty froth that comes on top. Strain and keep the liquid. Discard the solids.

Heat up the oil. Fry the onions and the garlic until golden. Add the tomato purée and fry for a bit. Add the dashi, cilantro, salt and black pepper and bring to a rolling boil. Cook for about 6-7 minutes. Turn off the heat and let it steep for 10 minutes or so. Strain the broth pressing down on the solids to extract as much of the broth as necessary. Discard the solids.

(If you have two pots, the dashi can directly be strained into the second step. It will save you tons of time.)

Steam the clams with either the broth or some water. As they open, remove them and shuck off the half-shell. You can also just shuck them and store if you don't want to serve them with the half-shells.

Filter the clam broth with some paper towels. Clams are generally very gritty. Add this clam broth to the other broth.

Bring the broth to a rolling boil. Check for salt. You may need more.

Pour the broth over the clams. Add the cilantro on top. Serve at once with the crusty bread.

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^† This can't be entirely surprising for a recipe that was a decade in the making.

Dog Days of Summer

When it's crazy hot, you just need some "chilled Chinese". (Recipe in the link.)

Hiyashi Chūka (冷やし中華)

Weekend Menu

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Japanese meal 

Nori sumashijiru (Clear nori soup)
Tuna sashimi (marinated in soy and mirin)
Mugi gohan (Barley rice)
Asparagus & shiitake ohitashi
Radishes "massaged" with sea salt

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Japanese Five-Grain Rice (五穀米)

Every country has a healthier version of its staples in the modern world. This is a recipe that you are unlikely to find in a standard Japanese cookbook.

The number "five" (go - 五) has a special significance in Japanese cooking. Traditional Japanese cuisine — washoku (和食) — has long been characterized by the principles of  "five colors, five tastes, five ways, five senses, five outlooks".

It's really a shorthand for how to make meals more nutritious and serves as an organizing principle for daily meals. (It sounds hard but the CC assures you that it's shockingly easy in practice.)

The five grains mentioned obviously feature rice but there are other grains from the wheat family. They add both texture and nutrition.

The recipe below features -- white rice, brown rice, black rice, barley (mugi) and oats but in the modern day, you'll see everything from Job's tears (hato mugi) to farro to quinoa.

The general principles stand though. You want rice and you want a complementary set of grains for nutrition and texture.

The black rice turns everything purple and the dish is visually arresting. It also has a nutritionally complete set of amino acids and with the addition of the sesame provides a complete meal (even though that's not how it would be served.)

Lest this sound some like some "austere" dish from the land of peace, love and granola, the CC will tell you that you will be chowing this dish down faster than you can say "roast pork".

It's herushi (= healthy), it's visually appealing, it's delicious, it's nutritious, and it's addictive!

It's a modern-day classic of Japanese cooking.

Ingredients

1/2 cup white rice
1/4 cup brown rice
1/4 cup black rice
1/4 cup barley
1/4 cup rolled oats

2 1/2 cups dashi

1 tbsp sesame seeds
salt

Notes

[1] The proportions are 2:1:1:1:1 with the white rice being 2. That adds up to 6 units so you want about 10 units of the dashi. You can always add more water later.

[2] The various soaking times are different because the stuff is cooked together. If you don't follow this, the softer stuff will be mush while the harder grains have barely softened.

[3] The sesame seeds act as a white counterpoint to the purple. They are also necessary for nutritional reasons. The fat is needed for the absorption of the amino acids. The CC also sometimes sprinkles gomashio (= sesame and salt roasted and powdered into a fine white powder.)

[4] The purpose of letting the dish to sit for a few minutes afterwards is that the starches bind the dish together. It makes it easier to eat with chopsticks. If you're not a chopsticks person, ignore this point. Also, this dish is made for bento boxes. It's awesome at room temperature.

[5] The dish is a game of texture. It's chewy and each bite is different because of all the various grains. This is one of the reasons it's "addictive".

Recipe

Soak the black rice in a bowl for at least 4 hours.

Soak the brown rice in a bowl for at least 2 hours.

Soak the barley in a bowl for at least 2 hours.

Wash the white rice in copious water until it runs clear. Wash the oats too. Let them drain together in a colander. (This level of "soaking" is sufficient to get the right texture. You don't want them too soft.)

Drain the water from the other three components and mix together.

Combine the five grains, the dashi with some salt and bring it to a boil. Let it cook in an open pot till the liquid has been absorbed, roughly 10-12 minutes. Check that the grains are cooked. If not, add some water and let cook further. They should still have a chewy bite (= al dente).

Turn off the heat and let it sit for 4-5 minutes.

Meanwhile, lightly roast the sesame seeds in a skillet till they are golden. Set aside.

Sprinkle the rice with the sesame seeds and serve.

Controlling Texture

One of the biggest blunders in the CC's life is not realizing that for certain dishes, if you wish to control the texture precisely, you must soak ingredients for variable amounts before you cook them together.

DOH!!!

Make that:

Double-DOH!!!

The CC certainly knew the general principle but failed to apply it in specific cases mostly in the case of rice where the CC is not really in his natural element. This is just sad and this public shaming is his mea culpa.

To put a positive spin on it, we're always learning and will continue to do so - hopefully! - till the day we die.

What's the recipe? Oh there's one but the CC hasn't quite nailed it perfectly yet so you'll just have to wait. Gotta learn a few tricks from the marketing guys. Keep 'em waiting.

In the interim, may all your food have awesome texture!

Petrified Bacon

The title is a reference to an absolutely brilliant piece by the sculptor Isamu Noguchi and part of a series of "petrified" works which also feature petrified rye bread, cheese, sugar and ice cream!

The reference, of course, is to the famous meat-shaped stone (肉形石) in the collection of the National Palace Museum in Taipei.

While the CC understands the need not to touch art, never before has he seen sculpture which has such an overwhelming tactile quality. You just want to reach out and touch it. It positively screams for it.

What's clear is the artist's unerring eye in identifying natural rock samples and then sculpting them minimally to perfection.