Sunday, November 28, 2010

Dashi

The making of dashi is the foundation of Japanese cooking.

It is to Japanese cuisine what veal stock is to French cuisine. In fact, it is so fundamental to the very grammar of traditional Japanese cuisine that it can be safely said that there can be no Japanese cuisine in its absence.

However, its importance looms even larger in a multi-cultural universe.

Dashi is a umami rock-star.

Master it, and you can give a little more ooomph to all foods from Italian to Indonesian. (In fact, this is the "secret" to the success of many professional chefs. All they ever did in life was to add a ladle of dashi to their sauces, and suddenly they were "jeniuses" - yes, with the less common "j"-spelling.)

Well, you can be one too. But, first you must learn the basics of Japanese tradition.

The classic dashi begins with konbu -- also spelt kombu because in Japanese, the pronunciation is in-between the "em" and the "en" sounds -- and katsuobushi.

Konbu is a seaweed that is absurdly potent in umami flavor. When you buy it, it will look like it has a patina of whitish dust over it. Do NOT wash it under any circumstances. That patina is the source of the umami.

Katsuobushi is dried skip-jack tuna which is another rich source of umami. Most likely, the supermarket version will be the pre-sliced, paper-thin, pale-brownish-pink stuff but the real stuff is like an elongated rock-hard block of wood. It lasts forever, and has to be shaved fresh on an inverted wood-plane -- katsuobushi kezuriki. (Needless, to say, the CC heaps scorn on the supermarket one but it's not bad in a pinch.)

Both ingredients are dry, and will last forever in your pantry.

Classical Japanese technique calls for making two broths -- ichiban dashi and niban dashi -- quite literally, the first and second extractions.

Ichiban dashi is a clear, golden-hued, light stock with a delicate flavor meant for clear soups.

Niban dashi is a darker-hued, robust-flavored, all-purpose stock to cook with.

The recipe makes a little over 4 cups of each. The CC frequently doubles the recipe if needed. If you only need the more robust version, you can just skip the intermediate steps but make sure you understand all the details below.

There are many many other styles of dashi -- niboshi dashi with dried sardines, dashi made with shiitake mushrooms, entirely vegetarian versions made for Buddhist temple cuisine (shōjin ryōri), etc.

It's a world unto itself.

Ingredients

4 cups water
a 5" piece of konbu
3 handfuls of katsuobushi (two initially, one for later.)

Recipe

Soak the konbu in 4 cups of water at room temperature for 30 minutes. Heat the water until just before it starts to boil. Remove the konbu, and set aside. If you don't remove it before the water boils, the broth will taste bitter which you don't want.

Bring the water to a boil. Turn off the heat. Add about 1/2 cup of water to cool it down, and toss in two handfuls of the katsuobushi. If the water is too hot, it will be cloudy which is aesthetically unpleasant. (Note the similarity to classical French stock-making.)

Strain the liquid with a cheesecloth. Under NO circumstances press down on the solids which would also cause the broth to be cloudy.

The liquid is ichiban dashi.

To make niban dashi, add the solids and the retained konbu to four cups of water. Bring to a boil. As soon as it boils, turn off the heat, add an extra half-cup to cool it down, and add the extra handful of katsuobushi to it -- oigatsuo -- "chaser" katsuo. Steep for 3-4 minutes.

Filter with a cheesecloth but this time wring to extract the maximum flavor from it.

You have niban dashi.

Sunday, November 21, 2010

Food as Character

Food is character.

There's no getting away from it. It defines us. It strips naked completely what we would like to have hidden.

One can tell more about a person from what they will or won't eat, conditional on their background, than all the degrees, documents, and recommendations that they trot out.

If you want to learn about a person, watch them at dinner.

Observe how they hold their fork, and ask them what they feel about eating animal innards, and you will quickly strip them emotionally naked. Observe their inward or outward delight (or lack thereof) to a perfectly executed dish, and you will learn more about them than by asking a thousand questions.

Food is character.

Great writers have noticed this forever. When Edith Wharton describes food, she is not describing the food as much as the society that would make such food, and the elements of the society that would eat it. Food becomes the barely neutral turf on which the anxieties of society play.

Giuseppe Tomasi di Lampedusa in his one and only, wondrous novel Il Gattopardo observes his characters, and in turn, has them observe each other through the medium of food.

If you've never heard of Lampedusa, or his only novel, the CC urges you to seek it. Most people's knowledge of Lampedusa comes from the eponymous, and equally wondrous Visconti movie.
The Prince was too experienced to offer Sicilian guests, in a town of the interior, a dinner beginning with soup, and he infringed the rules of haute cuisine all the more readily as he disliked it himself. But rumours of the barbaric foreign usage of serving an insipid liquid as first course had reached the notables of Donnafugata too insistently for them not to quiver with a slight residue of alarm at the start of a solemn dinner like this. So when three lackeys in gold, green and powder entered, each holding a great silver dish containing a towering macaroni pie, only four of the twenty at the table avoided showing pleased surprise: the Prince and Princess from foreknowledge, Angelica from affectation and Concetta from lack of appetite. All the others (including Tancredi, I regret to say) showed their relief in varying ways, from the fluty and ecstatic grunts of the notary to the sharp squeak of Francesco Paolo. But a threatening circular stare from the host soon stifled these improper demonstrations.

Good manners apart, though, the aspect of these monumental dishes of macaroni was worthy of the quivers of admiration they evoked. The burnished gold of the crusts, the fragrance of sugar and cinnamon they exuded, were but preludes to the delights released from the interior when the knife broke the crust; first came a spice-laden haze, then chicken livers, hard-boiled eggs, sliced ham, chicken and truffles in masses of piping hot, glistening macaroni, to which the meat juice gave an exquisite hue of suede.

The beginning of the meal, as happens in the provinces, was quiet. The arch-priest made the sign of the Cross and plunged in head first without a word. The organist absorbed the succulent dish with closed eyes; he was grateful to the Creator that his ability to shoot hare and woodcock could bring him ecstatic pleasures like this, and the thought came to him that he and Teresina could exist for a month on the cost of one of these dishes; Angelica, the lovely Angelica, forgot little Tuscan black puddings and part of her good manners and devoured her food with the appetite of her seventeen years and the vigour given by grasping her fork halfway up the handle. Tancredi, in an attempt to link gallantry with greed, tried to imagine himself tasting, in the aromatic forkfuls, the kisses of his neighbour Angelica, but he realised at once that the experiment was disgusting and suspended it, with a mental reserve about reviving his fantasy with the pudding; the Prince, although rapt in the contemplation of Angelica sitting opposite him, was the only one at the table to notice that the demi-glace was overfilled, and made a mental note to tell the cook so next day; the others ate without thinking of anything, and without realising that the food seemed so delicious because sensuality was circulating in the house.

Thursday, November 18, 2010

Oh, The Horror, The Horror!

Today, while idly searching the web, the CC came across recipes for "no-rice risotto".

Really people?!?

Heck, even the Italians have experimented with variations with barley and spelt (and generally treated the results with various degrees of horror) but seriously?!?

No-rice in risotto which quite literally is etymologically related to rice?

Next up: roasted chicken minus the roasting or the chicken.

Saturday, November 13, 2010

Precision and Nutrition

If you want to have complete control over the texture of your vegetables, and the CC knows you do, you should steam them not boil them.

You get the added benefit that the nutrients are not lost to the water.

Sunday, November 7, 2010

Pasta with Cauliflower, Raisins and Almonds

This recipe is so awesome that the CC has already posted it.

Twice.

Clearly, there was no response. So it's time for more high-pressure tactics. If one of you readers don't make it, and share in the mind-blowing gloriousness that is this recipe, and share your foodgasm with the rest of us, the CC will torture you by posting this recipe again and again until one of you surrenders.

The recipe has even been optimized for you slackers - you know who you are!

Yes, the CC has no shame! (But he does have cauliflowers.)


Ingredients

1 large cauliflower
1 large red onion (cut into very thin semi-rounds)
1/2 cup slivered almonds
1/2 cup raisins
4 tbsp white wine vinegar

2 cups whole wheat pasta

4 tbsp capers (in salt not vinegar, finely chopped)
4 tbsp chives (finely chopped)
4 tbsp tarragon (finely chopped)
4 tbsp parsley (finely chopped)

parmigiano-reggiano
olive oil
salt
pepper

Recipe

Preheat the oven to 400°F. Stick the almonds to roast while the oven is preheating (roughly 10 mins.)

Toss the cauliflower florets with olive oil, salt and pepper. Bake in the oven until roasted and browned (roughly 40 mins.)

Meanwhile, put the raisins in vinegar, and add about a cup of water. Bring to a light boil for about 7 mins to plump the raisins. (Hint: the microwave is awesome at this task. Use it!)

Make the pasta just under al dente.

Heat some olive oil in a pan. Fry the onions until they are limp. Add the cauliflower, the raisins (with the liquid), all the herbs, salt and pepper, and the pasta. Toss well.

Serve topped with the roasted almonds, grated parmesan, and plenty of black pepper.

Monday, November 1, 2010

Whole Wheat Pasta with Brussel Sprouts and Anchovies

This recipe has a lot of steps but all it requires is patience. Additionally, it's really amenable to parallelization so it's quite easy to do quickly.

This has a strong aggressive flavor with plenty of umami so it holds up well with whole wheat pasta.


Ingredients

2 cups whole wheat pasta
1 lb brussel sprouts
2 large red onions (sliced into thin rounds)

4 anchovies
1/2 cup hazelnuts
2 tbsp tomato paste

2 tbsp rosemary/thyme/tarragon
2 tbsp vinegar

olive oil
salt
black pepper
parmigiano-reggiano

Recipe

Pre-heat the oven to 375°F. Roast the hazelnuts for about 10 minutes but make sure they don't burn!

Meanwhile, halve the brussel sprouts, toss with olive oil, salt and vinegar, and roast them in the same oven for about 30 minutes until lightly browned. Alternately, you can pan-fry them lightly in a wok if you have one.

Make the pasta in heavily salted water.

Meanwhile, crush the hazelnuts either in a mortar and pestle or in the food processor. Make sure that they are uneven, and have large bits not turned into a powder.

Fry the onions languidly until they are limp. Toss in the anchovies, and the tomato paste. Fry for a short bit, add the herbs, salt and pepper, and a little water. Finally, add the toasted brussel sprouts.

Toss with the pasta, the vinegar, and the hazelnuts.

Serve with grated parmigiano-reggiano, and lots of black pepper.

Thursday, October 28, 2010

Cutting Cauliflowers

Far too many people don't know how to cut a cauliflower correctly.

The cauliflower is a fractal as has been explored repeatedly on this blog.

Hold the thing upside down and slice into the florets at a 40° angle. The outside florets will fall off. Keep rotating and doing this.

Now, do this again to each large floret cluster. That's what fractal means!

Saturday, October 23, 2010

Pizza

It's a bit surprising that this recipe never made its way to the blog.

The simple explanation is that this is a well-oiled machine that is pre-blogger phase.

This was the most requested (and delivered) recipe in the CC's wild youth. Many pies were made and consumed with suitable libations all around (champagne! martinis!) and much merriment was made with all and sundry for very little cost.

Rewind the clock, and once upon a time, the CC used to be a serious bread person. Natural fermentation, mid-night feedings, the whole nine yards. That's all very wonderful, and mind you, it does lead to spectacular bread, but why bother when the bakery literally a block away can do it for you? (That's New York, my friends!)

This recipe adopts the best of both worlds. Dried yeast (= convenience) but the slow development of flavor that comes from natural fermentation. It works perfectly for parties because you can make it in the morning, and it will be ready in the evening.

Standard dried yeast (saccharomyces cerevisiae) has been bred for exactly one purpose. Fast fermentation.

Live fast, die young.

That's what dried yeast does. Reproduce a lot. Minus the cocaine and the parties. Alas, they also happen to be asexual! Sucks to be them.

The problem with this fast fermentation is while it does make the dough rise quickly, it does not allow it to gain the complexity that it would have if the yeast could chow down on the sugars present in the flour.

The trick is straightforward. Use very little of the dry yeast, and further retard the fermentation process by lowering the temperature. We are undoing what the marketeers want in the interest of taste!

There's a second trick that most ol'-school bakers know. It's called rye flour. Rye flour is the crack-cocaine of the yeast world. They love it (= high sugar content.) They chow down, go nuts and reproduce like crazy.

In this case, the idea is very simple. First make a poolish (slurry of rye flour, yeast, and water.) Let the yeast go completely crazy. Then mix in the regular flour, and stick it in the fridge.

The first two steps are the trick to the amazingness that is this recipe. Do not skip them under any circumstances!

Incidentally, for all you lovers of convenience, this recipe works perfectly well if you skip the retardation process. You will just not get the complexity of taste though.

Thirdly, you need a pizza stone. There's no need to buy a fancy one. Just get some unglazed tiles and stick them in the oven. The reason is very simple. Air has barely any thermal capacity (ability to hold heat.) The oven is filled with air. You need something in there that can hold heat. The ideal objects are things that are impossible to heat (= stone.) They take forever to heat precisely because they have a huge capacity to hold heat.

The CC has the stone permanently in his oven. It works magnificently in holding heat. Everything from mac-n-cheese to braised lamb is helped on its way by the stone.

Fourth, the CC is going to give a caveat. This is a recipe with flour that has a very high "hydration quotient". That means the dough is quite close to being liquid. There's a lot of water in there. Working with dough with a high hydration quotient is quite hard. It requires some experience. The CC has had more than his share of "legendary disasters" with breads that have high HQ's. If you are a newbie, just use less water. You will find it easier and you will have great results anyway (with a completely different pizza texture though!)

Fifth, the CC will not talk about the toppings but he will give a warning. In order to be successful, the toppings have to be reasonably dry. Which means that if you plan to use veggies (onions, peppers, mushrooms), then you must at the very least dry sautée them on a skillet to get the moisture out.

Even a tomato "sauce" must be on the dry side for this to work.

Finally, this is not a Neapolitan pizza. The dough is totally different. In order to be from "Napoli", you need far less hydration and a totally different flour, and a goddamn wood-burning oven (good luck!)

Better to abide by the golden rule: There are many pizzas in the CC's house.

Also, for all you control-freaks, when the dough is this wet, it's near impossible to control the shape. Yes, the pizza will be roughly round, more likely elliptical, or even like the map of Italy. Just enjoy it.

Buon appetito!


Ingredients

Starter

2 tsp yeast
2/3 cup rye flour
4 oz water

Dough

2 tbsp olive oil
1 tbsp Maldon sea salt
1 2/3 cups white flour
5 oz water

Recipe

Mix all the starter ingredients together to a starter dough. It should be like sludge. Let it sit for at least 30 minutes. At the end of this, it should be bubbling. If not, your yeast are dead. Bail out.

Mix the rest of the stuff. Add water till you have a sticky dough. You can just use a mixing spoon to mix it. It's quite wet and sticky. Kinda like a runny clay. There will be a light sheen on the surface.

Stick it in the fridge till 5 hours before you are ready to eat.

The dough will have ballooned. Deflate it with a ladle. You will notice it has changed in consistency completely. The dough will be a lot more "dough"-like, the stickiness will be "flowy" rather than "clumpy". There should be a strong sheen on the surface, and a great yeasty smell.

(This yeasty smell is why this pizza goes great with champagne. Ahem!)

Pre-heat the oven to 475°F for at least an hour while the dough rises.

Assemble the pizza dough with a lot of flour on a pizza peel. Assemble the toppings as required. Slide the pizza onto the stone (this requires some back-and-forth motion practice.)

The last piece is the hard part. For beginners, the CC recommends corn-meal rather than flour because it helps the sliding part. Also, ignore the toppings initially, get the pie in there and a few minutes later, top the pizza while it is structurally intact.

Bake for 12-13 minutes.

You'll never go out for pizza again!

Saturday, October 16, 2010

Frozen Vegetables

The CC pulled one of those ziploc bags out of the freezer. There was an incredulous sound made by one of the lesser species of the earth.

"What is that?"

"Frozen corn."

"But they're in a ziploc bag."

"???"

The CC was mystified. Had he entered the Twilight Zone?

"What brand are they?"

DOH! The invisible hand of idiocy smacked the CC's head with a powerful whack. The CC tapped his foot to gain his equilibrium (such as it is.)

"What do you think frozen vegetables are?"

"Ummmm .... vegetables that are frozen."

("Exactement, mon pauvre imbécile petite!)

"And who freezes the vegetables?"

This was the exact moment that enlightenment struck the ignorami with much more weight than the afore-mentioned invisible hand of idiocy.

Then the CC expounded at lyrical leisure (as he is wont to do.) Clearly, it made perfect economic and culinary sense to buy excellent summer vegetables (corn, peas) at dirt-cheap prices, and freeze them for future food-gasmic delight!

Lord, what fools these mortals be!

Wednesday, October 13, 2010

Corn Risotto with Crab Balls

This will appear to be a difficult recipe. However, if the CC can make it on a weekday, so can you.

It's called prep and advance planning. Also, if you read the recipe carefully, you will see that there are fairly obvious "synergies" between the three sections. If you use your time wisely, and this is a skill, you will see that this is a fairly simple recipe.

The herbs are fairly interchangeable. You will get great results with basil, rosemary, sage, or thyme. Tarragon can be a little overpowering so should be used with a spare hand. Combinations also work.

After the recipe below, the CC presents the underlying logic -- why is this dish the way it is? (Hopefully, this section will turn into a regular trend.)

This level of analysis which explains the harmony of flavors, aesthetics, nutrition and palate feel is absolutely necessary if you want to get to the "next level" in cooking.


Ingredients

Corn Broth

6 cobs corn (shucked, keep the cobs)
1 large red onion
sage

Crab Balls

1/2 cup crabmeat
1/2 carrot (grated - read below what to with the remaining half carrot)
1 red serrano (yes! it must be red)
2 eggs
breadcrumbs
sage (chopped very fine)

Corn Risotto

4 leeks (chopped fine, white parts only)
2 cups arborio rice (or carnaroli or vialone nano.)
1/2 carrot (grated)
1 cup parmigiano reggiano
1 cup chopped wild greens with a bitter edge (mizuna, arugula, etc.)
1 cup white wine
sage (chopped very fine)
black pepper

olive oil

Recipe

Prepare the corn broth. This step can be done ahead of time.

Sweat the onions in olive oil. Add the cobs, half of the corn kernels and the sage. Fry languidly for 5-7 minutes. Cover with water, and bring to a boil. Skim the impurities, and simmer for 20 minutes. Remove the cobs, blend the mixture, and pass through a fine sieve. (Yes, this is a lot of work. Deal with it!)

Combine the crabmeat, very finely chopped serrano, grated carrot, two eggs, breadcrumbs, salt and pepper. The mixture should be loose but fashionable into balls. Create small balls out of them. Pan fry them in a skillet with a layer of olive oil, and drain on paper towels.

Now, we prepare a standard risotto. Keep the corn broth on a simmer.

Fry the leeks languidly (4-6 minutes.) Add the rice, and fry till the kernels of the rice are visible. Add the white wine and stir. Add ladles of the broth, and stir. Repeat.

Two-thirds of the way in, add the grated carrot. Towards the end, add the greens and the rest of the corn kernels.

Add the grated parmigianio-reggiano and the sage.

Plate.

Recipe Logic

The basic idea started as a corn risotto.

The CC had some corn soup in his kitchen, and it made sense to turn it into a broth, and make the risotto. However, this would've been too mundane - monochromatic if you will - corn flavor would, of course, be amazing but there is nothing to make the dish either visually interesting or amazing on the second bite. For that, we need contrast. Also, there is not enough protein in the dish.

Hence, the need for a topping. Mushrooms were considered but the season for chanterelles is long past. Seared scallops would've been a complete winner. That would be one direction to go into but it was a bit of a cliché. Plus, the texture would be soft on soft. Not a recipe for a knockout.

So the CC went in the direction of a different cliché -- corn and crab -- a classic in many cuisines -- French, American, Vietnamese. From the seared scallops, the CC went with crab cakes but they are mundane so the CC punched it up with a slight sweetness and color (carrot) and spice (serrano). You get a textural contrast as a free bonus -- the soft, wet risotto punched up by a crisp crab ball.

Now, to make the color act as tie-in to the balls as well as a visual punchline, a slight bit of grated carrot would work in the risotto but it would make the dish too sweet (with the corn, corn broth, etc.) so the CC added a base note of bitter greens which also add a dash of green color.

The herbs tie it all together. By making them identical across the board, the dish has a coherent feel.

Please note that the dish has both the aesthetics and nutritional complexity of the very Japanese washoku.

Tuesday, October 12, 2010

Spam

Not the edible kind!

Ads and other spam are not allowed on this blog.

Apologies to those who have subscribed to "comment updates" for all the recent spam.

The CC is going to keep the blog un-moderated for the time being but if the spam ads increase beyond a certain level, the policy may change.

Sunday, October 10, 2010

The Haul

The CC was away on a mini-vacation to Lake Placid.

On the way back, at the farmers' market in nearby Keene, he picked up: celeriac, carrots, garlic, red onions, pearl onions, baby potatoes, lamb shanks and lamb kidneys.

On this nippy Sunday evening, a vegetable broth is being prepared. The carrot fronds, and celeriac fronds will not be wasted.

They will glow with the golden song of a late summer.

Tuesday, October 5, 2010

Fideua in Barcelona

This was a magnificent meal. The CC had the fideua negra (black noodles with cuttlefish in its ink.)

The second dish, pan con tomate (bread rubbed with olive oil, garlic and tomatoes) is deceptively simple. Make it right, and it's so heavenly that you could just eat it all day long. (Once again, pictures do not do it justice.)

Anchovies with olive oil and sherry vinegar

Pan con tomate

Fideua negra

Saturday, October 2, 2010

Summer Risotto

This is a glorious farewell-to-summer treat.

At the farmers' market, the tomatoes were glorious but nobody wanted any because "summer was over" - well, it's not - the CC is still blasting fans and the occasional air-conditioning. That's the problem with going by dates rather than weather. Things are not always quite so.

Anyway, a crazy number of tomatoes were bought, and logic necessitated that a last ta-ta to summer was in order.

This is riot of colors (as you can see below.) Oddly enough, it also happens to follow the traditional rules of the Japanese washoku.


Ingredients

6 pounds ripe summer tomatoes (yep! you heard that right)

1 small yellow squash
1 small zucchini

1 ear corn (if available.)
1 cup peas (freshly shelled)

1/4 cup green beans (cut into medium length)
1/4 cup purple beans (cut into medium length)
1/4 cup yellow beans (cut into medium length)
1/4 cup Italian flat beans (cut to resemble the above)

1 large red onion (diced very fine)
4 cloves garlic (diced very fine)
2 cups arborio rice (or carnaroli.)
purple basil (lots!!!, shredded by hand or snipped with scissors)

3 cups excellent white wine (1 cup for recipe, 2 cups to drink)

olive oil
salt
pepper
1/2 cup grated parmigiano-reggiano

Recipe

Bring a pot of water to boil. Dunk the tomatoes in batches for about 8 minutes each (depending on ripeness.) Pass the lot through a food mill to get a rich broth of tomatoes. You should have about 8-12 cups of tomato broth. (This is work. Deal!)

Bring the tomato broth to a slow boil. A lot of foam will rise to the surface. Skim, baby, skim.

Reduce the broth for about 45-60 minutes until it is "sticky" (Logic: this is the Maillard reaction with some caramelization taking place.) This is the "hard" part but since, it quite literally requires no work, it cannot really be called that.

Reconstitute with water to bring it back up to the original 8 cups.

Now, we prepare a standard risotto.

On a seperate burner, keep the above tomato broth at a low simmer. It doesn't have to literally simmer just that it needs to be on the hot side so as to not drop the temperature of the risotto when you dunk a ladleful in.

Fry the onions and the garlic at a medium-low heat for about 6 minutes. Add the beans, and fry for an additional 4 minutes. Add the zucchini and yellow squash and fry for an additional 4 minutes. Add the rice and fry till the rice is translucent and the kernel of the rice is visible (this is really obvious if you actually make this recipe as opposed to just reading this post.)

Add salt and pepper to taste. At this point, the CC adds a cup of white wine he's been drinking (read below!)

Add two ladles of the hot tomato broth, and stir. Keep stirring while it cooks. You are releasing the starch in this process. Ladles of broth and stir, ladles of broth and stir. Yes, this is fuckin' boring but deal with it. Have the afore-mentioned white wine.

Towards the end, add the corn and the peas (Logic: they cook really quickly, and you don't want them to turn into mush.)

Turn off the heat.

Add the grated parmigiano-reggiano (the mantecura), and the purple basil. Serve immediately with lots of black pepper.

Friday, October 1, 2010

Olives, Glorious Olives!




Wednesday, September 29, 2010

Particularly for the vegetarians ...

Cochinillon (Suckling Pig)

Sunday, September 26, 2010

A Spectacular Meal in Córdoba!

This is one of those epic meals that you only encounter once in your life. Naturally, the CC disdains such absurdly romantic notions so he went there for lunch two days later, and experienced it twice!

The picture of tomatoes below is deceptive. A picture cannot do it justice; it was poetry on a plate.

They were "only" tomatoes, sprinkled with fleur de sel (fiori di sale), and drizzled with olive oil. However, the tomatoes had quite literally been picked minutes before from the garden. They were still warm from the heat of the sun, and smelled like TOMATOES.

When years from now, the CC has his "madeleine"-moment, these tomatoes will be it!

Salmorejo, Gazpacho

Ajo blanco (Gazpacho with almonds)

Tomatoes with fleur de sel and olive oil

Frituras de verduras (Fried vegetables)

Rabo del toro (Braised oxtail)

Flan

Espresso

Oregano Pesto

Oregano is one of those rare herbs that both dries, and freezes well.

At the end of summer, the CC just makes a batch of pesto (oregano, olive oil, salt), and freezes it. Chip off a block and add it to anything you like.

Or you could just freeze it in those mini ice-trays, and then dump into a freezer bag.

Either way it works like a charm.

Wednesday, September 22, 2010

Pesto, Gigantes, Cherry Tomatoes

Last of the summer specials!